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South America

Argentina

Discover Aconcagua — Summit Massif, Caminito — Street Museum, Casa Rosada — Main Front and more.

Explore 12 illustrated places, read the stories behind them and look closer on the globe.

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Illustration of Caminito — Street Museum
Caminito — Street Museum

Places to discover in Argentina

culture

Caminito — Street Museum

Caminito follows a small route that once held a stream and later a railway. After the railway closed in 1928, the place declined. In 1959, neighbours and artists, including Benito Quinquela Martín, helped revive it as a street museum. Painted sheet-metal conventillos and the cobbled lane give this part of La Boca its vivid architectural character. Its colour is part of a deliberate cultural renewal, not a reason to invent a story about a particular house or resident.

Source: Ente de Turismo, Ciudad de Buenos Aires

geology

Cerro de los Siete Colores, Purmamarca

The Cerro de los Siete Colores rises behind Purmamarca in Jujuy’s Quebrada de Humahuaca. Its colours belong to layers of sedimentary rock, exposed across slopes and ridges rather than arranged as seven equal stripes. Their appearance changes with daylight and the season. Looking across the whole profile reveals how folds, erosion and neighbouring slopes make a much more varied landscape than the hill’s familiar name might suggest.

Source: Visit Argentina (national tourism promotion)

history

Cueva de las Manos — Shelter Exterior

Cueva de las Manos takes its name from the stencilled hands among its rock paintings. Guanacos and hunting scenes also appear in a long sequence of images made by generations of hunter-gatherer communities. Mineral pigments helped turn the shelter’s rock into a lasting record of human presence. The site’s importance lies in that accumulated history; no single invented ceremony or definite modern identity is needed to explain it.

Source: UNESCO World Heritage Centre

landscape

Fitz Roy — Laguna de los Tres View

Fitz Roy, also known as Chaltén, belongs to a granite massif in the northern part of Los Glaciares National Park. Its towers and needles stand between the Patagonian steppe to the east and the Southern Patagonian Icefield to the west. From Laguna de los Tres, the massive main tower and narrower neighbouring peaks form a distinctive skyline above scree, ice and a lake held within the mountains’ rocky foreground.

Source: SEGEMAR (Argentine geological survey)

engineering

Les Éclaireurs Lighthouse

Les Éclaireurs Lighthouse was first lit in 1920 on the small islets of the same name in the Beagle Channel. Its tower is modest, but the low surrounding rock makes the navigation light prominent above the water. Solar-powered remote operation now supports its role. The scene is centred on this fixed structure and its actual islet, rather than moving a city landmark onto an invented shoreline.

Source: Instituto Fueguino de Turismo (InFueTur), Tierra del Fuego

architecture

Obelisco, Buenos Aires

Designed by Alberto Prebisch, the Obelisco was inaugurated in 1936. Its almost 68-metre form is hollow and made from reinforced concrete. It stands at the meeting of major city avenues in Plaza de la República. The monument commemorated four centuries since the first Spanish settlement in the Río de la Plata area; understanding that purpose also means recognising it as a particular twentieth-century account of the city’s history.

Source: Gobierno de la Ciudad de Buenos Aires

water

Perito Moreno — North Face

Perito Moreno’s viewing walkways in Los Glaciares National Park offer panoramas from several heights. Looking across the channel from these balconies makes the glacier’s structure easier to read: a crevassed ice surface continues inland behind a steep front, while lake water lies against its edge. This quieter north-face view focuses on that relationship between ice, water and surrounding land, rather than repeating a dramatic calving moment.

Source: Visit Argentina (national tourism promotion)

architecture

Teatro Colón — Main Theatre

The present Teatro Colón opened in 1908 with a performance of Aida. Its work extends beyond the auditorium: the theatre has its own artistic ensembles and production workshops, supporting the many crafts needed to bring opera, ballet and concert programmes to the stage. The exterior marks the public face of a building whose cultural activity depends on performers, technicians and makers working together.

Source: Teatro Colón

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